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Petersburg whose pursuit of love and emotional honesty makes her an outcast from society. Anna is a beautiful person in every sense: Physically ravishing yet tastefully reserved, she captures the attentions of virtually everyone in high society.
Anna believes in love—not only romantic love but family love and friendship as well, as we see from her devotion to her son, her fervent efforts to reconcile Stiva and Dolly Oblonsky in their marital troubles, and her warm reception of Dolly at her country home.
Anna abhors nothing more than fakery, and she comes to regard her husband, Karenin, as the very incarnation of the fake, emotionless conventionality she despises.
Karenin is formal and duty-bound. There is something empty about almost everything Karenin does in the novel, however: He cannot be accused of being a poor husband or father, but he shows little tenderness toward his wife, Anna, or his son, Seryozha.
He fulfills these family roles as he does other duties on his list of social obligations. When he unexpectedly forgives Anna on what he believes may be her deathbed, we see a hint of a deeper Karenin ready to emerge.
Ultimately, however, the bland bureaucrat remains the only Karenin we know. Vronsky is passionate and caring toward Anna but clearly disappointed when their affair forces him to give up his dreams of career advancement.
Vronsky, whom Tolstoy originally modeled on the Romantic heroes of an earlier age of literature, has something of the idealistic loner in him. Even so, Vronsky is more saintly than demonic at the end of the novel, and his treatment of Anna is impeccable, even if his feelings toward her cool a bit.
Levin is intellectual and philosophical but applies his thinking to practical matters such as agriculture.
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He aims to be sincere and productive in whatever he does, and resigns from his post in local government because he sees it as useless and bureaucratic. Stiva and Anna share a common tendency to place personal fulfillment over social duties. Stiva is incorrigible, proceeding from his affair with the governess—which his wife, Dolly, honorably forgives—to a liaison with a ballerina.
Petersburg life and contrasts with the powerful moral conscience of Levin. However, despite his transgressions, the affable Stiva is a difficult character to scorn. Dolly is one of the few people who behave kindly toward Anna after her affair becomes public.
Well acquainted with the hardships of matrimony and motherhood, Dolly is, more than anyone else in the novel, in a position to appreciate what Anna has left behind by leaving with Vronsky. Anna shows her devotion to Seryozha when she risks everything to sneak back into the Karenin household simply to bring birthday presents to her son.
The freethinking Nikolai is largely estranged from his brothers, but over the course of the novel he starts to spend more time with Levin. Nikolai is representative of liberal social thought among certain Russian intellectuals of the period; his reformed-prostitute girlfriend, Marya Nikolaevna, is living proof of his unconventional, radically democratic viewpoint.
Koznyshev embodies cold intellectualism and is unable to embrace the fullness of life, as we see when he cannot bring himself to propose to Varenka.Its five answers to five questions.
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