History of film A number of manufacturers started to use 35mm film for still photography between and The first 35mm cameras available to the public, and reaching significant numbers in sales were the Tourist Multiple, inand the Simplex, in Leitz test-marketed the design between andreceiving enough positive feedback that the camera was put into production as the Leica I for Leitz camera in The Leica's immediate popularity spawned a number of competitors, most notably the Contax introduced inand cemented the position of 35 mm as the format of choice for high-end compact cameras.
A Guest Post by Rebecca Lily With the comeback of film over the last few years, many digital photographers are questioning whether or not to make the switch. This is a decision I had to ponder myself as well.
Is it worth adding a Contax to the arsenal and shooting weddings on film? I would like to present my honest view of film vs. I have not had a fabulously great lab develop any of my film work, only a local lab with mixed results.
Polaroid vs kodak have never shot film for any of my professional work, only my personal projects. But I am an ardent admirer of a few great pro film photographers and a continuous student of photography — both in the film and digital arenas. Film Nikon FM2 Nikkor 50mm 1. Then Camp C who use or at least tolerate both, and admit that both formats have strengths and weaknesses.
Speaking in terms of my professional work, I would define myself somewhere between Camp B and C. After playing around with film a bit myself and studying the work of other photographers, I can definitely acknowledge that film has several advantages over digital — mainly, the dynamic range or, ability to retain details in highlights and shadows over a wide range of stopsand also the forgiving nature of film when you overexpose it.
In my opinion, I think digital has only one major weakness when compared to film, and that is dynamic range.
Your digital camera simply will not handle light as well as film does, and the light will not look as soft and even as it does with film. But I think this problem will improve over time with digital cameras, as newer models with better sensors are developed.
You can already compensate this weakness by shooting in RAW format to maximize the recovery of details in highlights and shadows, and by working on improving yourself technically so that you achieve more consistently precise exposure. Digital Nikon D Nikkor mm 2.
But what about those beautiful filmy colors? This is where post-processing comes in, and where I personally found my tipping point that made me stick with digital.
Every film image is processed by the lab that develops it, and is color corrected during the scanning process — and sometimes also in the initial developing process for example, push or pull processing, or cross processing.
Digital images need developing work too, in order to get optimal results. And with a bit of post processing, I find that I can replicate or interpret this vision with some of my digital work, where it suits.
But with a bit of Lightroom or Photoshop I can capture the essence of what I love about the looks of film in general, with my own artistic stamp. I enjoy having creative control over how I want my colors to look for each individual session that I shoot, rather than handing that control to a lab.
One of the most important steps in post-processing a digital image to replicate film is to carefully control the light and the highlights. In my normal workflow, I first develop my RAW file in Lightroom, either with a preset or with individual tweaks such as highlight recovery and exposure correction.
I usually finish my images in Photoshop with actions. Overall, filmy looks should have lower contrast, reduced saturation, softened and controlled light, subtle creamy highlights, and a matte finish.
If you know your way around Photoshop and can produce these effects, you can put together interesting combinations to give your images a filmy finish.
If you need a hand with achieving those effects, there are a good many professional products that can help. Many of my own presets and actions are specifically designed to create this look.
If you are interested in how I achieve some of my film-inspired looks for my digital images, I share some of my post-processing recipes on my website, www. Film will always have its place in the world of photography, and so will digital. She is also a designer of Lightroom presets and Photoshop actions, which can be found on her website.
Johnny and Rebecca make their home in beautiful West Cork, Ireland.A multinational corporation whose name and film products are familiar to photographers around the world, Eastman Kodak Company is a diversified manufacturer of equipment, supplies, and systems in consumer and professional imaging, including films, photographic papers, one-time-use and digital cameras, printers and scanners, photoprocessing services, photofinishing equipment, and .
The amount of damages adequate to compensate Polaroid for Kodak's infringement, together with interest, and whether such damages should be increased up to three times the amount found, all in accordance with 35 U.S.C.
§ The history of the camera can be traced much further back than the introduction of initiativeblog.coms evolved from the camera obscura, and continued to change through many generations of photographic technology, including daguerreotypes, calotypes, dry plates, film, and to the modern day with digital cameras.
Kodak Retina Series. I/Ia/Ib/II/IIa/IIIc. by Karen Nakamura. Overview and Personal Comments. OK, so let me get my collecting biases on the table: I hate Kodaks!
I've been to too many antiques shows and seen just way too many Brownies, Instamatics, and broken folders stacked up to the ceiling and worth their weight in scrap metal. A trademark is a word, phrase, or logo that identifies the source of goods or services. Trademark law protects a business' commercial identity or brand by discouraging other businesses from adopting a name or logo that is "confusingly similar" to an existing trademark.
The goal is to allow consumers to easily identify the producers of goods and services and avoid confusion. It was clear that a new era took hold in the mids, and many looked on the result in the Polaroid v.
Kodak case as the turning point.