Plutus collapses, falls to the ground, and the poets pass. Their punishment is that they are rolling enormous weights at one another, the Wasters shouting, "Why do you hoard? Virgil reminds Dante that time has passed quickly and that they must descend to another circle. They cross to the other bank and find a fountain of strange, dark water, which flows in a stream down through a crack in the rock.
Nearly every aspect of the book contains a symbolic meaning. This is apparent in the punishments that Dante sets down from a wrathful God to the sinners.
For each of the many different categories of sinners, Dante creates a punishment that fits the specific sin perfectly. There are also many other prominent instances of symbolism throughout the book, including the many settings in which the book takes place and Virgil and Beatrice.
Starting in canto three, one starts to see the connection between the sin and the punishment dealt upon the sinner. As they pursued the ever-shifting illusion of their own advantage, changing their courses with every changing wind, so they pursue eternally an elusive, ever-shifting banner.
As their sin was a dark doing, so they move in darkness. As their own guilty conscience pursued them, so they are pursued by swarms of wasps and hornets. And as their actions were amoral filth, so they run eternally through the filth of worms and maggots which they themselves feed.
They are not punished, but they have no hope of ever going to heaven. In Circle two are the carnal, who betrayed their reason to their appetites. As they were swept up in the tempest of their passion, they are swept up in the tempest of hell.
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In circle three are the nasty gluttons, who made no higher use of the gifts of God than to wallow in food and drink, producers of nothing but garbage and offal.
Here they lie through all eternity, themselves like garbage, half-buried in fetid slush, while Cerberus slavers over them as they in life slavered over their food. In circle four are the hoarders and wasters. Thus in death, their souls are encumbered by dead weights mundanity and one excess serves to punish the other.
Their souls, moreover, have become so dimmed and awry in their fruitless rages that there is no hope of recognizing any among them. Now they wrestle with the pure opposite of them- the other side of the spectrum.
For the hoarders, it is the wasters, and vice versa. In circle five are the wrathful and the sullen. In a foul slime, the wrathful attack each other. Just as they did on earth, they are compelled to beat the living snot out of each other. Now, they suffer what they put others through, for not only are they attacking others, they are getting attacked by those who expelled the same fury on others as they did.
This is symbolic of what comes around goes around, and they all are being hurt just as they hurt others. Underneath the slime which the wrathful are on are the sullen, whose punishment is reflective of their laziness in their earthly life.
Just as they did not welcome the light of the sun or the light of Christ, they are forever forbidden to see any form of it again.Darkness Visible: Dante’s Clarification of Hell. Joseph Kameen (WR , Paper 3) Download this essay.
Contrapasso is one of the few rules in Dante’s Inferno. It is the one “law of nature” that applies to hell, stating that for every sinner’s crime there must be an equal and fitting punishment. Neither you, nor the coeditors you shared it with will be able to recover it again.
Delete Cancel. Transcript of Dante's Infero: Thesis Statements. Thesis Statement 1 In Inferno from The Divine Comedy, Dante Alighieri uses dark symbolism, mystifying allusions, and.
Read this essay on Dante's Inferno. Come browse our large digital warehouse of free sample essays. In Dante’s Inferno, he creates a hell that is full of creative monsters, and terrifying lands filled with unthinkable punishments for the crimes that were committed while the person was alive.
This hell is divided and then subdivided again. Dantes Inferno Essay Dante's use of allegory in the Inferno greatly varies from Plato's "Allegory of the Cave" in purpose, symbolism, characters and mentors, and in attitude toward the world.
An analysis of each of these elements in both allegories will provide an interesting comparison. Dante's Inferno "The Violent Tortured in the Rain of Fire" Topics: but not for us to dwell/ Within again, for justice must forbid/ Having what one has robbed oneself of” ( Line ).
There are many cultural aspects of Italy that are in the Inferno, such as Michelangelo’s art, the use of the vernacular.
Satan again is described practicing his art of deception when angels patrolling the gardens find him next to a sleeping Eve, with Milton writing, "Squat like a toad, close at the ear of Eve; assaying, by his devilish art, to reach the organs of her fancy, and with them forge illusions, as he list, phantoms, and dreams," (Milton IV).